It's that glorious little job that allows you to watch every, single person's audition, and get the chance to gossip with the creative team as soon as they leave the room.
Oh right, and read the sides with the people who are asked to stay and act.
Needless to say, I had a very good day.
Donald Byrd, the director from Le Petit's production White Noise, will be directing and choreographing Aida. I had seen him around the theatre while I was bar tending, but I had never really gotten to speak with him. He's quite lovely, and just very enjoyable. And, lucky for me, he enjoyed all the gossip and sassy remarks I had for the auditions.
He even said it was good that I was there because it made everyone I knew calm down and bit, and have a little fun.
Rebecca D. even said I made her feel so much more relaxed and unafraid when she saw me, so I'm very glad I could do that, at least.
The following might be a tad bitchy, but ah well.
The best thing about Monday, though, was what I learned from watching 50 people's auditions.
I learned it's best not to roll around on the ground pretending to be a cat.
And when they say "32bars of music, please", do not sing all 29 pages of "Unexpected Song".
Also, coming in and, immediately saying, "I didn't even know auditions were today, so I don't have any sheet music, but I've prepared something a cappella....." is probably not the best way to slate yourself.
All and all, I had fun getting to watch a bunch of my friends do what they do best.
And, I had a lot of fun acting with most of them
I hope I didn't screw any of them over, too badly.
2 out 6 scenes memorized.
Getting a little more responsible.